在对审美范畴的划分上，美学教科书通常都以优美、崇高(壮美)、悲剧、喜剧(滑稽)等来界定该范畴的内容。
Aesthetics textbooks usually prescribe the aesthetic category as grace, magnificence, tragedy and comedy, which is not scientific at all.
无论是喜剧还是悲剧，其审美价值的最终实现都体现于接受者的情绪上。
Whether comedy or tragedy, the ultimate realization of its aesthetic value shows on the mentality and mood of the receptors.
将作为一种审美形态的悲剧视为艺术表现的最高形式由来以久，但现在来看事情并非如此。
As a kind of aesthetic consciousness, tragedy has long since been regarded as the supreme artistic expression, but that is not the case.
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