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本文认为,卢卡契论审美反映的主观性与胡风的“主观战斗精神”都从关注作家主体意识的角度上形成了独具特色的主体性美学思想。
This text tries to demonstrate that Georg Luckacs's "aesthetic subjectivity" and HuFeng's view of "subjective fighting spirit" both paid particular attentions to artists' subject consciousness.
审美创造主体论是巴赫金美学思想的核心,涵义结构复杂,但这个结构整体上却有鲜明的特征:一体双义。
The theory of aesthetic creative subject is the core of Bakhtin's aesthetic idea, with a complex structure of meanings and an outstanding characteristics of "double meanings in a body".
审美本体论是主体性实践哲学的总结形态。
Aesthetic ontology is the concluding formation of subjective practical philosophy.
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