功利与审美、艺术家和普通人之间的界限被瓦解。
The dichotomy between utilitarian and aesthetic, between artist and layman is broken down. (Bill Voyd, "Drop City," in Theodore Roszak, ed.
其诗学观的基本取向是继承、修正并淡化原始儒家诗学的功利主义色彩，使其与审美融合。
The basic trend of his poetics was to uphold, and revise the original Confucianism poetics while diluting the utilitarianism elements in order to merge it with aesthetics.
由此可以引出审美心理的特征乃是超功利与非逻辑。
Thus, characteristic of aesthetic psychology is exceeding utility and non-logic.
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