大多数的字体要么是从字体打印的角度设计，要么是为了用户交互界面而创造。
Most fonts in use at the time were either adapted from type designed for print, or were created primarily for user interface elements.
照相排版无法适用于尺寸、字体、旋转角度各异的图案。书籍将更贵，并且更稀有。
Photocomposition cannot shift to subsets of the various symbols of the world, in various sizes, fonts, rotation, etc. Books will thus be more expensive, and rarer.
本文从字体设计艺术原理研究的角度出发，结合字体设计领域的研究资料，试图对当下应用颇为广泛的西文无衬线字体进行探讨。
The essay attempts to study the sans serif type which is widely used now from an artistic perspective of typeface designing by incorporating the research materials in the field of typeface designing.
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