在《霸王别姬》中，程蝶衣因持续模仿与自己完全不同的人物和性格，对现实和戏剧世界之间界限认识模糊，并由此形成第二天性。
In Farewell, Concubine, Chen Dieyi continually took off completely different characters and formed a second nature as the result of his vague cognition of the ambit between reality and drama.
提问的力量在于是否问到关键上。有一个男孩，有一天被七年级的小霸王打了一顿。
The power of asking the right questions is shown by a boy who was beat up one day by the seventh-grade bully.
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