The second part pointed out the problems in singing related to the usage of the tongue, and illustrated that the root of the issue is improperly handling of tongue and breathing, resonance, access, and articulation.
第二部分是指出歌唱中舌头出现的问题,并指出问题的根源是舌头和气息、共鸣、通道、咬字吐字的辩证关系处理不当。
参考来源 - 歌唱中的舌位与共鸣关系Here the author analyzes the Hungarian history and folk character, and expounds the expression of the Kodály style through intonation, resonance, pronunciation, arrangement of voice parts, and performance interpretation, and presents three pieces of differing styles as examples.
笔者通过介绍匈牙利历史和民族性格以及语言特点来透析匈牙利民族文化背景,以指挥者的角度从音准、音色、节奏、咬字吐字、声部的安排及二度创作等方面概述如何把握柯达伊同声合唱作品的风格,并以三个不同风格的具体作品为例具体阐述。
参考来源 - 柯达伊同声合唱作品的艺术诠释·2,447,543篇论文数据，部分数据来源于NoteExpress
主要论述吴雁泽精湛的歌唱技艺；分别从真假声结合、气息、咬字吐字及吴雁泽对民间传统艺术的借鉴几个方面。
The second part discusses Wu Yanze's consummate singing skill from the aspects of combination of and voice and falsetto, breath, pronunciation and singing and his borrowing experience from folk arts.
本文试图通过对演唱音色的技术关注（头腔共鸣、面罩共鸣、打开喉咙、呼吸支持、咬字吐字），破解获取纯美音色的难题。
Tone color, is one of the most important factors to demonstrate the singing standard, so learning proper skill of sound-pronunciation is the crux of acquiring pure and beautiful tone color.
歌唱语言有气息的运用和控制、声音共鸣以及吐字、咬字等方面的讲究。
Singing language is particular about studying for breath's control and use, sound vibration, enunciation and the like.
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