前者具有永恒的生命力,后者却是瞬时的、速朽的。这体现了传统美学与后现代美学的不同。
The former has eternal vitality, but the latter only have short life which show the differences of between traditional aesthetics and Post-modern aesthetics.
海德格尔美学在存在维度上标志着西方现代美学的完成,而在语言维度上又标志着西方后现代美学的开始。
Heidegger's aesthetics symbolizes the end of modern aesthetics from the view of being and the beginning of post-modern aesthetics from language.
19世纪60年代,后现代美学以西方传统美学的否定者的身份登上历史舞台,对传统美学进行了彻底的颠覆。
In the 1960s, postmodernist aesthetics got on the historical stage in the status of a negator to the Western traditional aesthetics, and totally subverted traditional aesthetics.
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