作者其实并不是赞同任何形式的时髦的后现代主义。
The author is not endorsing any kind of fashionable postmodernism here.
说到作曲家,现代主义者如贝拉·巴托克是僧侣似的、形式主义的,而后现代主义者如约翰·亚当斯则是顽皮的、精于解构的。
As for composers, modernists like bela bartok were hieratic and formalist, and postmodernists, like John Adams, were playful and interested in deconstructing.
这种多元混杂文本形式的创造与后现代文本观以及卡尔维诺个人的文学立场密不可分。
The creation of this plural mixing text form cannot be separated from postmodernism text viewpoint and Calvino's personal literature stand.
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