这个会议其实可以看做是,列维斯特劳斯加冕礼，他的作品在会议前几年刚刚传入美国。

It was an event that was really meant to be a kind of coronation of Claude Levi-Strauss, whose work had burst upon the American scene only a few years earlier.

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列维斯特劳斯在《原始思维》,和《忧郁的热带》中都提出了这样的问题：,为什么这些彩绘如此复杂？

Levi-Strauss asks both in The Savage Mind and again in Tristes Tropiques: why the excessive complexity of these paintings?

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But this very critique leveled against Levi-Strauss, he could have found in Levi-Strauss and does find it on other occasions.

但这个批判瞄准的是列维，斯特劳斯，他可以在列维，斯特劳斯的观点中找到,也的确在其他人的观点中找到。

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Then, of course, he moved on to Paris where he knew Claude Levi-Strauss and influenced him and, ultimately, to the United States.

之后他去了巴黎,结识了列维，斯特劳斯并影响了他，最后，来到了美国。

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Levi-Strauss' famous book, The Raw and the Cooked, essentially stages this critique in and of itself.

列维，斯特劳斯一本著名的书，《生食与熟食》,在它自己身上提出了对自己的批判。

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