...in Lister等人表示,互动式数字媒体的一个关键作用就在于它能让“富有创意的信息管理”和《作者之死》(the death of the author)一书所阐述的内容都变成现实。换言之,它在众多关系松散的社区之间打开了创想与洞见的闸门,让人们得以更好地获取并管理知识。
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Firstly, it explains the concept of "ecrivant" and "ecrivain"("writer" and "scriptor"), then the theory of "The death of the author".
首先,阐释“作者”与“作家”(“作者”与“写手”)概念,进而论述“作者之死”理论,指出巴特在此完成对作者身份的彻底颠覆与解构。
参考来源 - 罗兰·巴特解构主义文学批评思想研究·2,447,543篇论文数据,部分数据来源于NoteExpress
我想引用罗兰,巴特文章开头的几句话,我只是推荐这篇文章,从中引用几句,所以你们不用事先读,这篇文章就是《作者之死》。
I want to quote from the beginning of Roland Barthes' essay, which I know I only suggested, but I'm simply going to quote the passage so you don't have to have read it, the Death of the Author.
文艺复兴以来备受推崇的艺术家个体的创造性价值,以1968年罗兰·巴特的文章《作者之死》的发表为标志,开始遭到人们的质疑。
The highly-venerated creative value of the individual artist since the Renaissance has come under question, with Roland Barthes's 1968 essay of Death of the Author as the symbol.
以艾米丽之死为叙述起点,站在小镇居民的视角进行叙事,作者以倒叙的手法描述了艾米丽生前的几个主要事件。
To Emily's death as a narrative starting point, the perspective of the residents were standing in a small town narrative, the author describes Emily flashback several major events during his lifetime.
I want to quote from the beginning of Roland Barthes' essay, which I know I only suggested, but I'm simply going to quote the passage so you don't have to have read it, The Death of the Author.
我想引用罗兰,巴特文章开头的几句话,我只是推荐这篇文章,从中引用几句,所以你们不用事先读,这篇文章就是《作者之死》
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