从装饰题材与装饰手法的选择入手，对解决传统雕刻方式费力费时的问题进行了较为详细的论述。

From the aspect of decoration theme and method, it also discusses effort-wasting and time-consuming traditional carving.

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然而，在文艺复兴时期，同样的材料被用来对抗它的“本性”，按照佛罗伦萨的传统的精细的雕刻细节。

Yet during the Renaissance, this same material had been used against its "nature", in the Florentine tradition of sharply carved detail.

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几乎可以肯定，中世纪木制教堂雕刻的复杂风格和制作它们的技巧来自古代维京人的传统。

The complex style of the medieval wooden church carvings and the skills used to make them almost certainly to derive from the ancient Viking tradition.

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