本文就此问题将对中国传统工笔人物画和陈洪绶人物画以及曾鲸人物画，作具体的分析。
The thesis aims to analyze the Chinese traditional figure painting, the figure painting of Chen Hongshou and the figure painting of Zengjing.
现代工笔人物画造形大多采用西方素描的再现方法，忽视了我国传统绘画的意象表现。
Modern figure painting shading mostly adopts the western sketch reproducing method, and has ignored the image representation of Chinese painting tradition.
而当代的工笔人物画早已不再拘泥于传统的绘画式样、题材。
But the contemporary exquisite brush portrait already no longer rigidly adheres to the traditional drawing model and theme.
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