中国话剧初期创作笼罩着一种浓厚的悲剧意识。
The creation of Chinese modern drama in the beginning period was shrouded in a strong tragedy consciousness.
悲剧意识的形成打破了中国传统戏剧的“大团圆”模式，成为中国话剧初创时期的主导艺术特色。
Tragedy consciousness breaks the happy ending mode in Chinese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modern drama.
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