那么，第三股潮流就是来自于浙美的“录像艺术“在中国的兴起，它的边缘已经弥漫到当代艺术之外，侵入了民间影像的圈子。

The third trend comes from Zhengmei's (Zhejiang Art Museum) "spring up of video art in China" and its bordering has spread outside the scope of modern art entering the circle of civil image.

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最后呈现出一个卓越的影像艺术展览，加上国际著名作曲家谭盾的参与，让这一届的中国馆，和以往几届的平庸效果比起来，多了一份让人愉快的惊喜。

The result was an excellent show of video art, plus the contribution of world-class composer Tan Dun, a welcome surprise after a number of years of quite mediocre results.

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今日中国的当代摄影已经打破了传统与观念的限制，一切具有批判性价值的影像都成为当代艺术史资料库中的一个组成部分。

China Today's contemporary photography already has broken the limit of tradition and idea, all images have the value of animadverting have become part of contemporary art history date bank.

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