那儿只有对与错、美与丑、善与恶。
There is only right and wrong, beauty and ugliness, good and evil.
问题依旧是，在不需要完全摒弃情况下，我们是如何能够更好地平衡美与丑、纯洁与邪恶的两个极端。
the question remains whether its poles can be shifted into better alignment with ours without unmooring it entirely, making it just the story of two pretty girls, one of whom is jealous of the other.
崇高艺术、悲剧艺术迫使丑随同美一道体现正义与进步，丑艺术则没有美与丑的对抗。
Sublimity and tragedy forces the ugliness to describe justice and progress, and ugliness does not oppose to the art of beauty.
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