现代水墨画是八五美术新潮兴起以来中国画坛引人注目的艺术现象。它引起了学术界、批评界的广泛关注。现代水墨画是以改变传统技法为起点，它在技法语言上已经有了多方面的突破。林风眠的西画法，张大千的泼彩法、刘国松的揉纸肌理处理法、周韶华的拷贝纸收缩法、成忠臣的水拓法等等，都是对书法运笔技法的背离，也是本世纪最值得关注的新技法。刘国松、周韶华、成忠臣三人被誉为现代水墨画的开路先锋和标志性人物。
现代水墨画的发展前景是非常广阔和美好的。
We should be positive that the development of contemporary Chinese Painting has a broad and splendid future.
现代水墨画作品应邀先后在西班牙巴塞罗纳、荷兰祖特梅尔、日本崎玉越谷等地展览。
He has also been invited to exhibitions at Barcelona of Spain, Zoetermeer of Netherlands, and Koshigaya of Saitama in Japan for his modern ink and wash paintings.
中国传统绘画的空白形式，从上世纪八十年代起受到了极大的挑战，特别是在现代水墨画中，似乎更是踪迹难觅。
Traditional blank in China form, from the 80's of last century is biggest challenged, especially in modern water painting, apparently also the vestige of is difficult to find.
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