通过研读厄普代克的戏仿作品，读者既领略到戏仿策略的艺术，又了解了两位作家所彰显的不同时代的文化底蕴。
By studying Updike's parodic works, the readers can learn not only the art of his parodic narration, but also the cultural connotations in different times between the two writers.
很多段落具有梅尔维尔——福克纳风格的巴洛克式华美，以及品钦《拍卖第49 批》等作品中的那种语言张力，但永远无法确定这些是不是一种戏仿。
There are passages of Melvillean-Faulknerian baroque richness and intensity in The Crying of Lot 49, and elsewhere in Pynchon, but we can never be sure that they are not parodistic.
作品的主题从对塔罗牌的戏仿到文艺风格的讽刺作品，包罗万象。
The subjects range from takeoffs on Tarot cards to satires of literary styles.
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