为了这种使命的实现，施托克豪森的有些作品必须要在星辰的照耀下演奏。

To ensure that contact, some of his pieces had to be performed under the stars.

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当托马森•比彻姆爵士(Sir Thomas Beecham)被问及他是否曾指挥过任何施托克豪森的作品，他对此表示了否认，但他认为他可能曾经表演过一些。

Small wonder that Sir Thomas Beecham, asked if he had conducted any Stockhausen, said no, but he thought he might once have trodden in some.

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比如说1964年的“麦克风一号”(Mikrophonie i)。这部作品的灵感是施托克豪森用调羹、圆底酒杯与煮蛋计时器(沙漏)敲打他的花园中的铜锣而激发的。

"Mikrophonie I" (1964), for example, was inspired by hitting the tam-tam that hung in his garden with spoons, tumblers and an egg-timer.

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