Both depend on to save mutually, make the realism novel that it hand over of century create find out a kind of opposite and perfect dynamic equilibrium method.

两者的相互依存，使世纪之交的现实主义小说创作找到了一种相对完美的动态平衡方式。

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Yet the movie which, like the prior installments, depends more on realism (gravity, not pixels) than fantasy is dynamic enough, with a few classic sequences.

NEWYORKER: The Bourne Legacy