The thesis is made up of four sections, it illuminated Dufrenne's theory of the truth in the arts.
全文共分四个部分，主要述评了杜夫海纳的艺术真实论。
参考来源 - 杜夫海纳现象学美学中的艺术真实论·2,447,543篇论文数据，部分数据来源于NoteExpress
Mikel Dufrenne held that the aesthetic object is a pure object of perception.
杜夫海纳认为审美对象是纯粹知觉对象。
In addition, Dufrenne also discussed the extreme forms of performance, that is, copy.
此外，杜夫海纳还论述了表演的极端形式，即复制。
The depth of Dufrenne respectively expresses the depth of object and subject, and the connection between them.
杜夫海纳的深度分别表现为审美对象的深度、审美知觉的深度，以及二者的关系。
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