They have to keep the room dark to develop the films.
他们冲洗胶卷时必须保证室内无光。
For Matsushige himself, his films were so toxic that he was unable to develop them for twenty days, and even then had to do so at night and in the open, rinsing it in a stream.
而松茂的底片内容是如此有害,以至于他有二十天都找不到地方冲洗它们。后来他甚至不得不趁着夜色到室外冲洗,并在小溪里完成水洗。
Yet to develop an understanding of the way in which Oshima's films break with, and at the same time build on, earlier cinema, it is instructive to examine one of his most classical films.
然而,为了理解大岛渚的作品在哪一方面对先前影片进行了扬弃,对其最经典作品之一加以分析将是颇有启发之举。
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