A full-scale character assassination of the dead woman got underway in the tabloid press.
一场对这位已故妇女的全面人身攻击在小报媒体上展开。
As one character says, when asked to speak about the execution ofher husband: "Dead is dead. There's nothing to talk about now.
就像其中的一个人物,当别人提起她被依法处决的丈夫时,她回应,“死了就是死了,我现在什么都不想说。”
In Perry, in particular, he captured an extraordinarily complex character, one capable of placing a pillow beneath Kenyon's head to make him more comfortable minutes before shooting him dead.
尤其是对于佩里,卡波特描绘了他极其复杂的性格。 在杀死凯尼恩之前的几分钟里,他会把枕头放到这个孩子的脑袋下,让他舒服一点。
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