The story was writen by Walter D.Edmonds and adapted for Special English by Dona de Sanctis.

VOA: special.2010.06.26

I'd like to start with a little more discussion of Derrida before we turn to de Man.

首先我想再谈谈德里达,然后再讨论德曼。

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And then, I'm going to skip down a little bit: Though she never again called back any image of the dead man to dress up, pose, talk to and make answer, neither would she lose a new compassion for the cul-de-sac he'd tried to find a way out of, for the enigma his efforts had created.

接下来，我会跳过一些内容往下说：,虽然她从没有想起过，那个死人穿衣、摆弄姿势、,说话和回答问题时的样子，她也不会失去对他的同情，对他尝试摆脱,无路可走的困境所付出的，谜团一般的努力。

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They shoot a lot of movies there: My heart throbbed when we saw the 13th-century kitchen into which Sophie Marceau rode on horseback in La Fille de d'Artagnan, but it could have been the onset of arteriosclerosis from that day's ration of goose fat.

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