The author tries to discuss the objectivity of the existence of "creative treason" based on different theories such as hermeneutics, deconstructionism and aesthetics.
本文从阐释学、解构主义以及美学等理论的角度出发，试图多角度、多层面地对“创造性叛逆”在文学翻译中存在的客观性进行理论上的探讨。
Gadamer's hermeneutics theory was faithful inheritance and creative development of Heidegger's views.
伽达默尔的解释理论既是对海德格尔的观点忠实继承又是创造性地发挥。
Philosophical hermeneutics holds the view that all hermeneutic activities that start from fore-structure of human beings are creative.
哲学释义学认为一切阐释都是从前结构出发，是基于前结构的创造活动。
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