Their desire for social drama is not—or not only—a way of distracting themselves from their schoolwork or of driving adults crazy.

他们对社交戏剧的渴望不是——或者不仅仅是——一种让他们从学业中分心或者让成年人发疯的方式。

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Based on Jung's theory of Persona and Shadow, this paper reveals how the novella's protagonist Aschenbach gradually slides from pure artistic appreciation to the gulf of crazy erotic desire.

本文以荣格的人格面具及阴影理论为依托，探讨了小说的主人公阿申巴赫如何一步步从纯粹的艺术审美陷入情感倒错的歧路。

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