Yetto develop an understandingof the way in which Oshima's films break with, and at the same time build on, earliercinema, itisinstructive to examine one ofhismostclassicalfilms.
Here is a crowd-pleaser that makes you glad to be part of the crowd, perhaps because to adopt the classical viewpoint silent cinema really was the purest and most binding incarnation of the medium, one from which we have torn ourselves, to our detriment, ever since.