The paper challenges the former classification of Chinese folk dances cultural types, deeming it logically unsound to divide them into five major cultural types and six dancing cultural zones.

本文对前人有关中国民间舞蹈文化类型的划分提出异议，认为五大文化类型和六个舞蹈文化区的分类方法缺乏逻辑性。

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In the conclusion part the author gives us her brief view on creation of folk dances of Chinese ethnic groups since 1980s.

结语部分简要阐述笔者对1980年代以来民族民间舞蹈作品创作的见解。

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Chapter Two talks about the style of the works of folk dances of Chinese ethnic groups since 1980s from performers, themes, vocabularies, space, properties and music;

第二章从舞蹈演员、舞蹈题材、舞蹈形式结构、舞蹈动作、舞台空间、舞蹈道具、舞蹈音乐等方面分析1980年代以来中国民族民间舞蹈作品的风格；

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