With this weak, tepid brew of message movie and family drama, the sensei moves further away than ever from his trademark imagistic energy toward the contemplative style of previous Japanese masters. (Even the title recalls Ozu.) In this tri-generational story, four children vacation with their grandmother (Sachiko Murase) in the country outside Nagasaki while their parents visit a granduncle and his half-American son (Richard Gere) in Hawaii.
It might have been a stretch to suggest that the play served as metaphor for the challenges faced by the thousands of children the organization performs before every year 35, 000 in 55 tri-state hospitals since Only Make Believe's inception in 1999 but perhaps not.