11 林中明《Character Beyond Character (字外有字) 》,第二届汉字书法教育国际会议论文集,CSU at Long Beach, CA, 2000. p.17-32.
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Replaces a single character at or beyond the specified position with the specified character value, and then outputs the removal position and descriptive information.
将指定起始位置和结束位置之间的单一字元取代成指定字元值,然后输出移除位置和描述性资讯。
Replaces a single character at or beyond the specified position with the specified character value.
将格式化字串中的一或多个可编辑字元取代成指定字元。
So it was a theme of the period and Freud's Beyond the Pleasure Principle contributes to this theme. Brooks himself likes to -- refer to the text of Beyond the Pleasure Principle as itself a master plot-- in other words as having a certain fictive character.
所以不难发现,这就是弗洛伊德时期的一大主题,而那本《超越快乐原则》也就响应了这个主题,布鲁克斯,本人很喜欢引用《超越快乐原则》中的片段-,换句话说,就好像有一个虚构的角色。
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