Chinese calligraphy theory 汉唐书论
articles of calligraphy theory 书论
Chinese ancient calligraphy theory 中国古代书法理论
theory in calligraphy 书法理论知识
The fourth chapter summarizes the calligraphy theory system of the initial stage .
第四章总结书法理论初步完型后的理论系统状况。
参考来源 - 中国古代书法理论发生研究·2,447,543篇论文数据，部分数据来源于NoteExpress
Calligraphy theory in Han Dynasty and Tang Dynasty, on the basis of formal imagery of strokes, formed abundant aesthetic imagery and connotation.
汉唐书论在点画形式“意向”的基础上形成了丰富的美学意象和意蕴。
He not only sedulously seeks innovation in the calligraphic skill, but also has done much beneficial work in the calligraphy theory and the calligraphy education.
他不仅在书艺上刻意求新，而且在书法理论、书法教育等方面做了许多有益的工作。
But Shen Zengzhi looked the other way and created one calligraphy style of combination of Stele Theory and Model calligraphy.
然而沈曾植却另辟蹊径，创出一种碑帖结合的书法风格。
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