谢泼德的普利策奖(Pulitzer Prize)获奖剧作《被埋葬的孩子》(Buried Child)的结局耐人寻味。本文将以剧终的台词“那也许是太阳”作为引子,通过挖掘剧中美国家庭的家丑,来透视当今美国社会的症结。
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This article attempts to make a thematic study of his play Buried Child and its characters.
本文试图通过对其剧作《被埋葬的孩子》之主题与人物的分析,揭示美国社会病态家庭中人的异化;
Sam Shepard is considered to be the most influential American dramatist at the present age, and his family trilogy, The Curse of the Starving Class, Buried Child and True West are his masterpieces.
谢泼德被视为当代美国最有影响的剧作家,其家庭三部曲(《饥饿阶级的诅咒》、《被埋葬的孩子》和《真正的西部》)是他的主要代表作。
I was a child; my father was just buried, and my misery arose from the separation that Hindley had ordered between me and Heathcliff.
我还是一个孩子,我父亲才下葬,由于辛德雷命令我和希刺克厉夫分开,我才开始有了悲痛。
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