For example, he begins by borrowing the Russian formalist distinction in trying to explain what fiction is between plot and story.
举个例子,他开篇在解释那种文体介于情节和故事之间时,借用了俄国结构主义的特点。
And it's this final movement of the simile, according to this ingenious argument by Geoffrey Hartman, that Hartman calls the counter-plot.
根据哈特曼灵巧的论点看来,这就是这个比喻最后的深意,他称之为反计。
That's not good enough, and so the repetition in the plot reinforces the repetition of the sound in question.
由于她总是不能正确地发音,这样一来情节的重复,就加强了声音的重复。
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