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Despite their courage and their rightful anger, Astell and her descendants overlooked early modern woman writer's contributions to historiography.
尽管阿斯特尔和她的后代有勇气和应有的愤怒,但他们忽视了早期现代女性作家对历史编纂的贡献。
Mary Astell is clearly responding to this.
玛丽·阿斯苔对此作出明确回应。
So Milton for Astell is hardly the embodiment of orthodoxy that he is for Lady Mary Chudleigh.
鉴于此,对于阿斯苔来说,米尔顿不再是玛丽查德利夫人所引用的那个代表正统的标志。
It's as if Mary Astell were saying, "Well, Milton was on the right track. He simply didn't go far enough.
玛丽·阿斯苔似乎是在说:,“好吧,弥尔顿方向正确,只是行之不足。
Now it has to be said that Mary Astell's image of Milton is probably the product of a much closer reading of Paradise Lost than Lady Mary Chudleigh's was.
不得不说,玛丽·阿斯苔对弥尔顿有如此印象,很可能是因为她对《失乐园》的解读,比玛丽·恰德莱夫人的更加细致。
But Astell resents, of course, Milton here, and what she resents is the limitation of his subversiveness.
但很显然,阿斯苔对米尔顿也有反感,她反感的是弥尔顿的颠覆的局限性。
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