“Being good in business is the most fascinating kind of art, ” said Andy Warhol. “Making money is art... and good business is the best art.”

“做好生意是最迷人的艺术，”安迪沃霍尔如是说，“赚钱是种艺术……而做笔好生意是最好的艺术。”

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His elitist aesthetics and patrician diction supported a populist ethos that celebrated excellence in carpentry and art-making alike, and hoped to play down the role of money in ruling everything, a shaky position to maintain at any time and maybe impossible to duplicate by anyone brave enough to emulate his example.

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By the turn of the century it had become a major business, and in some cases art centers were making enough money to become self-sufficient.

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