So the arabesque of the plot, as I say, is a matter of encountering bad object choices and overcoming them: -- neatness, busyness--choices which, by the way, are on the surface temptations.
于是剧情精妙的发展，就变成做出错误选择然后克服困难了：,简洁，繁琐，选择其实就是诱惑。
耶鲁公开课 - 文学理论导论课程节选
