Reminiscent of experimental film or abstract expressionist paintings, the software creates an animated jumble of bright and energetic abstract light compositions.
实验电影或抽象表现主义绘画让人回想起该软件创建了一个明亮的光线和有力的抽象作品动画混杂。
Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?
同样的方法是否也适用于二十世纪的抽象作品呢?从蒙德里安的几何色块,到波洛克在画布上喷溅颜料看似随意的布局?
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