Sunrise and A Country of Snow are written by Chinese and Japanese writers respectively during the 1930s but both are ended in tragedy.
《日出》、《雪国》都是诞生于二十世纪三十年代的文艺作品，虽然分别出自中日两位大家之手，其结构却都以悲剧而告终。
This opera is divided into several episodes in the middle, and has a single trilogy of long end tone. The opera delivers a love tragedy of a Japanese woman "Madame Batterfly".
这首咏叹调是中部分段展开，并有较长大的尾声的单三部曲式，这部歌剧深刻地揭示了日本妇女“蝴蝶夫人”的爱情悲剧。
The refraction fromYosano Akiko's transformation in her later years is not only a writer's tragedy, but also an inevitable destination of an imperialist Japanese aggressor.
与谢野晶子晚年蜕变折射的，既是一个文学家的悲哀，也是作为侵略者的帝国主义日本的必然归宿。
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