S. Bach (No.1 in D-Minor BWV 1052, and No.2 in E-Major, BWV 1053) framing W.A. Mozart's No. 12 in A-Major, K.414 and Johann Christian Bach's E-Flat Major Concerto Op.7 No. 5.
"D-Man in the Waters" (1989), an often frantically busy exercise performed in Ms. Prince's olive-drab costuming to Mendelssohn's effervescent Octet for Strings in E-Flat Major, began life as a showcase honoring a company dancer then ravaged by AIDS. It remains a thin, derivative work that looks back here and there in its diving-to-the-stage energy to Paul Taylor's masterly, heart-pumping, Bach-inspired 1975 "Esplanade, " as well as to Mark Morris's evocative and momentous 1981 "Gloria" (to Vivaldi).