诗歌的标志是韵律是诗歌的核心要求和标志性象征诗行内语言节奏的和谐性和诗行外语言节奏的和谐性相辅相成于诗歌抒情言志的思想意旨之中
他做了许多大胆尝试,把英国的韵律诗,从伊丽莎白时代的十四行到拜伦时代的诗歌,介绍给中国诗歌界。
He made various bold attempts to introduce English metres into Chinese poetry, from Elizabethan sonnets to Byronic stanzas.
这些活动具体有:单词拼读拼写测试和比赛,句子听写,故事,诗歌及韵律诗表演等。
Activities such as: spelling Test and Competition, Sentence Writing Dictation, Acting Out the Stories, Poems or Rhymes. This strategy is very effective to improve their spelling and listening skills.
The primary metrical pattern in Frost is the primary metrical pattern in English poetry, which is to say blank verse or unrhymed iambic pentameter.
弗罗斯特基本的诗歌韵律,是英国诗歌的基本韵律,也就是无韵诗或不押韵的五音部抑扬格。
And the poem goes on, and this is the tone of a poem. It's a poem of crisis, a poem of a kind of hollow speaker, someone who emerges as, more or less, buried alive. And this is supposed to reflect both personal crisis and a historical crisis.
然后这首诗继续娓娓道来,这就是诗歌的韵律,这是首关于危机的诗,关于一个有点言之无物的叙述者,最后活活烧死的诗,这恰好反映了,个人和历史的危机。
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