这些变化不但改变着我国流行音乐的文化特征和美学价值，也具体而微地塑造着人们的生活趣味和审美风尚。
These changes not only to change the pop music of our cultural identity and aesthetic values, but also to create miniature people's aesthetic tastes and habits of life.
音乐的悲剧美作为音乐美学的审美形态之一，可以激发人们化悲痛为力量，在道德上震撼人心，使情感得到陶冶，是崇高美的集中体现。
As one of the aesthetic forms of music aesthetics, the tragedy beauty of music can make people turn sorrow into strength, excite people's mind morally and refine people's sentiment.
本文结合《淮南子》中的音乐美学思想，分析和讨论了音乐审美关系的构建及音乐审美主体的接受差异。
Combining with music aesthetical thoughts of Huainanzi, this article analyzes and discusses the formation of music aesthetical relations and the accepting differences among aesthetic subjects.
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