在细致介绍陈东东诗歌内容和特色的基础上，本文重点研究其诗作中音乐性的表现和对超现实主义的接受，即其诗歌的幻想性。
With the systematic introduction of Chen Dongdong's poems and features, this thesis focuses on the poems 'musicality and the acceptance of Surrealism, that is, the imagination in poetry.
当时的“本色”应该是属于“女性特色”的风格判断，而不仅仅是音乐性特征的认定。
This paper thinks that ci' s true qualities is the style of femininity , not only the music.
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