另外，必须要指出的是本文探讨的一些道教学者，包括具有道家、道教思想的艺术家，他们从未进入过美学研究的视野。
Some Daoist scholars discussed in the thesis has never been studied, which will instructively complement the study of Daoism and Chinese Aesthetics.
在学术史上，葛洪的《抱朴子》内外篇似乎是一部让人尴尬的文献，因为它虽然出自一人之手却兼具了两种不同的思想：道家道教思想与儒家思想。
Baopuzi, during the learning history, seems to be an embarrassing document, for its containing the thoughts of Confucianism and Taoism which are always contradictory in most literature viewpoint.
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