与众不同的是其作品是两个透视焦点重合，双重图像重叠的观念化艺术作品。
Distinguishingly, they are conceptual art works with two superposed focuses and overlapped images.
一个透视图可以有多个视图，但只能有一个编辑器，该编辑器也是工作台的焦点所在。
A perspective can have many views, but it can have only one editor, which is the focal point of the workbench.
同时，建筑装饰纹样大多为有机体，对物象的表现往往非基于焦点透视，而是具有恒常性的特征。
At the same time, Building decorative patterns mostly is an organism, to thing performance often must based on focus perspective, but has constant the characteristic.
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