建筑师试图在他们的设计中考虑这种影响，但他们不能保证礼堂满座。
Architects try to account for this effect in their design, but they can't guarantee a full auditorium.
这名法国建筑师在1929年设计了这把引起轰动的椅子，他将司空见惯的方形椅里外对翻，将这种一度隐藏在内的构造变得为设计灵感的一部分。
The French architect had sensationalised seating in 1929 when he turned the conventional club chair inside out so that the the framework, once modestly concealed, became part of the design thrill.
实际上，圣潘克拉斯建筑群已经将这种混合的理念融入其精确的设计之中了。
Indeed, the St Pancras complex has been designed precisely with such intermingling in mind.
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