第二章主要从美学的角度探讨了象征的审美意蕴。
The author mainly explores esthetic implication of symbol in the direction of aesthetics in chapter two.
本文旨在探讨其象征的美学内涵，为进一步研究西部审美文化提供一个新的视角。
This article aimes at probing into its main symbolic aesthetic connotation, and provides a new angle for further studying aesthetic culture of the Western China.
柯勒律治的浪漫主义莎评，通过强调莎士比亚作品想像、象征与和谐等特质，在哲学、美学层面对古典主义莎评进行了颠覆。
Coleridge s romantic criticism on Shakespeare highlighting imagination, symbolization and harmony is an utter negation of classical criticism in terms of philosophy and aesthetics.
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