在传统音乐理论中,由若干个音合理地组织在一起,并以某个音为中心构成一个体系叫调式,调式的性质、特点叫调性,由主音、下属音和属音的重要支持而形成。
The second chapter is mainly the description and research on how the uses the multivoice technique in his music, which include five sections of chord structure harmony motion mode tonality musical form , characters of rhythms and statement in words.
本文的第二章是全文的主体部分,即详细论述萨蒂钢琴作品中对多声技法的运用。 此章分别从和弦构成、和声进行、调式调性、曲式结构,以及节奏特色与文字说明五个方面对萨蒂钢琴作品多声技法的运用进行分析与研究。
参考来源 - 埃里克·萨蒂钢琴作品多声技法研究·2,447,543篇论文数据,部分数据来源于NoteExpress
首先,它表现在对旋律因素的判断能力上,如旋律的调式调性如何?
First, it is in the judgment of melody factors, such as the melody mode how tonal?
主要从和弦材料、和声进行、调式调性三个方面体现出柴科夫斯基和声语言中继承性的一面。
This chapter reflects the inheritance of Tchaikovsky's harmony language from these aspects including chord material, harmony progression, mode and tonality of the work.
第三章从和声曲式、调式调性等方面对《山东风俗组曲》的音乐本体进行分析并对六首作品逐一做了演奏分析。
Chapter musical form from the harmony, tuning aspects such as tone, "Shandong Folk Suit" music ontology analysis and six works of each done playing.
And they got in this habit of, every time they had a bright, happy text, they'd set this in one kind of mode or key-- a major mode--and every time they had a sad one, they'd set it in minor.
于是人们养成了这样的习惯,每当人们书写欢乐,愉悦的歌词时,他们就设定一个调式或调性,即大调,每当人们书写忧伤的歌词时,他们就定为小调
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