这里请注意一下英语诗歌的韵律。
他那具有冒险精神的诗歌是这样的:“抛开了中途的旅程,要一飞冲天越过爱奥尼神山,同时追求的是散文或韵律中未曾尝试过的事物。”
His adventurous song is one that "with no middle flight intends to soar above the Aonian Mount, while it pursues things unattempted yet in Prose or Rhyme."
直至今天,那些日子的欢乐图景还铭刻在我心上。 我明白了,为什么韵律对于诗歌来讲是那么的必要。
Whenever the joy of that day comes back to me, even now, I realise why rhyme is so needful in poetry.
The primary metrical pattern in Frost is the primary metrical pattern in English poetry, which is to say blank verse or unrhymed iambic pentameter.
弗罗斯特基本的诗歌韵律,是英国诗歌的基本韵律,也就是无韵诗或不押韵的五音部抑扬格。
And the poem goes on, and this is the tone of a poem. It's a poem of crisis, a poem of a kind of hollow speaker, someone who emerges as, more or less, buried alive. And this is supposed to reflect both personal crisis and a historical crisis.
然后这首诗继续娓娓道来,这就是诗歌的韵律,这是首关于危机的诗,关于一个有点言之无物的叙述者,最后活活烧死的诗,这恰好反映了,个人和历史的危机。
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