伤感情调的词与感伤情调的词因作者的性格特点而有着不同的情感表达倾向，给人以不同的审美感受。
The sentimental ci and the moved ci have the different emotion expression and transmit the different aesthetic feelings because of the poets disposition characteristic.
作者补充说，如果一个人表达的情感产生了冲突——比如语调是欢快的，但同时呈现的面部表情却是愤怒的——最容易被人抓住撒谎的漏洞。
The author adds that these 'leaks' can be seen in a person displaying conflicting emotions, like a happy tone of voice paired with an angry facial expression.
镜头语言与情感表达之间是否有一种放之四海而皆准的规律可遵循？还只是创作中作者灵感突发的一种偶然事件？
Dose a immovable rule of emotional expression of camera language exist? Or it is depend on the fortuitous inspiration of the author?
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