在哑剧表演中，没有台词，演员需要用丰富的表情和肢体动作来讲述故事情节。

Instead, actors use facial expressions and movements of their hands and bodies to tell the story.

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手势、面部表情和肢体动作占人际交流组成部分的93%，只有7%的理解判断源自口头语言。

Gestures, facial expressions and body movement compose ninety-three percent of communication — only seven percent of understanding derives from words.

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在广角镜头盛行的年代，巴拉兹引导人们去注意面部表情和肢体动作作为电影中的表达工具所蕴含的力量。

During a time when the sweeping wide shot was in style, balazs was instrumental in bringing attention to the power of expression through face and body in film.

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