她认为她小说中女性形象的荒诞，都与南方女性文化有关。
She argues the grotesqueness of the women figures in her novels, is all wrapped up with the culture of southern womanhood.
对我来说更贴切的比喻是,如果一个小说的故事情节是基于一个小于1%概率的事件的话,人们会指责你的创意了,他们会说这太荒诞.事实上,生活恰恰会经常变的荒诞无常,科学也不能测量宇宙趋势来扔给你一个真正完美的弧线球.
The fact is, life is fairly often unrealistic. Science can't measure the tendency of the universe to throw you a genuine curveball.
但是，她的周遭，悲伤与古怪无处不在，验证了小说里的暗黑国度。正如古奇指出，她小说里许多荒诞怪异的元素都有生活原型。
But her own circumstances, in their sadness and oddness, corroborated her dark fantasies, and, as Gooch shows, many of her stories' outlandish elements were inspired by actual events.
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